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Listamania: Top 5 Downloads Of The Week

September 21st 2009 09:11
The listing choices...


The McClymonts – Unforgettable: An iTunes bonus track from their latest single "Kick It Up." A simple ballad from the extremely talented Australian vocal group.

Jack Ingram feat. Patty Griffin – Seeing Stars: Yet another beautiful ballad featuring Patty Griffin (from Jack Ingram’s latest offering, Big Dreams & High Hopes).

Reba McEntire – Little Rock: A classic track from the epic 1986 Whoever’s In New England album. A definite must have for anyone seeking to explore Reba’s vast back catalog.


George Strait – El Ray: A Spanish language album track from Twang. Some have called it self indulgent but see for yourself.

Lady Antebellum – Need You Now: A solid pop country track that harks back to the 80s rock sound without completely losing the plot.

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Miranda Lambert recently performed some new tracks from her upcoming album Revolution (which is set to drop September 29th) for the Walmart Soundcheck series. Performances include "Famous In A Small Town", "Dead Flowers" as well as new album tracks "Only Prettier" and "Heart Like Mine." In the interview Lambert discusses the juxtapositions between writing on the road and writing at home along with how her writing has evolved along with the progression of her age. She also discusses her musical influences which range from the Texas red dirt movement to Merle Haggard to Beyonce...


The performances (as well as interview) can be viewed here.

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What is the measure of an amazing story teller? I'm not quite sure I can answer that question. However, one characteristic might be the following: the ability to take sub-par lyrical inanity and turn it into an occasion.

Case in point: Reba McEntire singing her latest single "Consider Me Gone" live on QVC's Q Session...



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It must be that time of year again...

Variety Magazine is reporting that it may finally be time to Hank it up on the silver screen.
Alright, admittedly that was a poor attempt at a pun, but after various successful outings in the country music biopic-sphere (such as the beautifully executed Walk The Line (Johnny Cash), Coal Miner's Daughter (Loretta Lynn) and Sweet Dreams (Patsy Cline)), the prospect of a Hank Williams biopic is rather impelling.

With that said, Williams' life story, as well as his personal and music legacies, have the potential to make for a captivating film if carried out according. The subject of Hank Williams' life is a complex web and while the idea for me is heaven, this project needs to be done with great measure and without misstep.

Hank Williams biopic on track

Universal to get crack at country legend

By MICHAEL FLEMING

Nashville-based 821 Entertainment Group and Strike Entertainment have teamed to turn the life of country music icon Hank Williams into a feature film.

Strike Entertainment partner Marc Abraham will write the script. The 821 banner will finance development and most likely production, with Universal getting first crack at the project through its first-look deal with Strike partners Abraham and Eric Newman.

The package includes cooperation with the Hank Williams estate that gives the production use of his most memorable recordings. Also, 821 has optioned the rights to "Hank Williams: The Biography," a book by Colin Escott that is being used as a resource by Abraham. Escott will be associate producer.

Eric Geadelmann, CEO of 821, and president Anastasia Brown launched the company with the intention of producing and financing Southern-flavored films with mainstream appeal. Earlier this summer, they formed a partnership with the Roy Rogers Family Entertainment Corp. to launch a "King of the Cowboys" film trilogy based on the famed singing cowboy. They've also teamed with producer Mark Johnson to option screen rights to "The Testament," the 1999 bestselling novel by Southern writer John Grisham.

Williams ranks high among the most influential country music singer-songwriters, and he lived a life as hard as any character in a country song. After growing up dirt poor in Alabama during the Depression, Williams skyrocketed to fame with 11 No. 1 hits, including classics "Cold, Cold Heart," "Your Cheatin' Heart" and "I'm So Lonesome I Could Cry."

Williams also suffered from spina bifida, which led him to turnto alcohol and morphine for pain relief. Haunted by demons and bad habits, Williams died in 1953 at age 29.

"It took us almost five years to execute this deal, and people told us we were crazy to try because the estate was so fractured," Geadelmann said.

On one side of the estate is singer Hank Williams Jr., and on the other is Jett Williams, the illegitimate daughter of the late singer, born days after he died. They haven't seen eye to eye on much, but they did get together on the biopic.

Abraham is the producer of such films as "Children of Men" and "Spy Game," who grew up in Kentucky listening to Williams' music. While waiting for the rights on the Williams biopic to come together, Abraham helmed the Greg Kinnear-starrer "Flash of Genius."

"He was the first real star who went down as the result of his lifestyle, succeeded by Jimi Hendrix, Jim Morrison, Janis Joplin and Kurt Cobain," Abraham said. "He destroyed himself, but for six years leading to his death, Hank had six songs each year in the top 10."

Though it's early, Abraham believes that original recordings will likely be used in the film.

Williams' story was previously told on the bigscreen in the 1964 George Hamilton starrer "Your Cheatin' Heart."

Source
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BullTV has posted some exclusive behind the scenes footage of Lady Antebellum in the studio recording the first single (“Need You Now”) from their forthcoming sophomore album that is set to drop in early 2010.

You can listen to a preview of the track here:



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#5232: Emily West does Hank Williams...

For those of you who like me are having a bad day, here is a video of Emily West (featuring Brian Keane on guitar) covering the Hank Williams classic "Lovesick Blues." Enough said


[ Click here to read more ]
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Review: Luke Bryan - Do I

June 4th 2009 05:29
Luke Bryan is one of the countless young males to emerge in recent years. He like many has experienced admirable but moderate success on radio while still labouring away in an effort to become one of the mainstays.

After making a name for himself with singles such as the up-tempo and rowdy “All My Friends Say” and the bucolic “Country Man”, Bryan in “Do I” has returned with a sound that we hadn’t yet encountered from him


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“Six words: Kenny Chesney’s “Who You’d Be Today.”

And finished


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Miranda Lambert is often associated with fuming and rancorous anthems, which include radio hits such as “Kerosene” and “Gunpowder & Lead”. Her sophomore album, Crazy Ex-Girlfriend was routed in such themes as anger and reprisal. However, upon hearing “Dead Flowers” it would seem that Lambert is embarking on a more reflective nature of songwriting and it is fair to say that "Dead Flowers" is a level transition from her previous disposition.

In country music, it is common to hear stories of a love ending in heartbreak and tragedy or simply two lovers growing apart overtime and eventually reaching some form of coda. Lambert explores a relationship that has not reached its end but instead sits there, going through the motions, existing but depleted


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Due to currently living outside the good ol’ United States, I was unable to watch the ACM Awards that took place earlier in the month until this morning. There were various noteworthy, insightful and witty live blogs (including those by Country California, The 9513 and Country Universe) that provisionally filled the void in my lack of viewer-ship.

Nonetheless, upon my viewing, there were a few prevalent moments at the 2009 ACM Awards (for me) including


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